How do you make your photos more engaging?

Everyone can make a nice-looking photo. The single hits.
But memorable work comes from images that connect, reveal context, and reward attention.

That happens through visual storytelling. Learning what to include, what to wait for, and how each photo supports the next.

You want more intention in your photography, not just better-looking photos.

This course is not about gear, presets, or chasing trends.
It’s about slowing down, paying attention, and shooting with purpose.
This course is for you if...
  • Your photos look fine, but they don’t feel connected or meaningful yet
  • You want to move beyond single images and start thinking in sequences
  • You often shoot first and hope something interesting reveals itself later
  • You want a clearer reason for why you take a photo, not just how
  • You’re interested in long-form projects, personal work, or documentary-style stories

What You'll Learn in This Course

  • Recognize story elements while you’re shooting, including characters, setting, and context
  • Identify and anticipate decisive moments instead of reacting randomly
  • Shoot the essential images that help a story unfold, not just single highlights
  • Plan and complete a simple long-form photography project over time
  • Edit and sequence your images so they clearly communicate a story to viewers
  • Understand when model or property releases are required and how to handle them confidently
  • BONUS: See how working with a nonprofit or community organization can strengthen both your photography and your impact

"This course outlines a less random way of capturing images and therefore adds a layer of interest for myself, my photography, and for the final product."

Kevin Lamport

Everything you need to follow through and finish a complete storytelling project.
What's Included in This Course
9 Video Lessons

Just over 2 hours of structured walkthroughs with text outlines.
Captions in English, Deutsch, Français, Polski, and Español.

4 Downloads

PDF references for offline use, including sample model and property release forms.

2 Assignments

Two optional assignments you can submit for instructor feedback.

Instructor Support

Live chat and email support if you need help along the way.

How the Course is Structured

A clear progression from learning the basics of visual storytelling to completing a long-form project.

Learn what visual storytelling actually means in photography, and how this course works from start to finish.

  • What makes a photo part of a story
  • How to approach the course and assignments
  • Setting expectations for your project

Build the foundation by learning how stories work visually, and how to recognize them while shooting.

  • Story elements and visual context
  • The role of the Decisive Moment
  • Shooting images that support a narrative

Move from individual images to intentional projects, with an emphasis on planning and ethics.

  • Long-form project planning
  • Editing and sequencing a story
  • Ethics, releases, and legal considerations


Put everything together and think about how to continue developing your storytelling beyond the course.

  • Practicing and refining your approach
  • Final review and feedback
  • Optional nonprofit and community work

Get lifetime access to this course

One-time purchase. No subscription.
Revisit the lessons anytime as your photography evolves.

Start Free Previews Enroll Now - $59

Create More Meaningful Photographs

Practicing visual storytelling helps your photos connect with viewers in ways single images often don’t.
This course gives you a clear framework for slowing down, recognizing moments, and building photographs that work together.
The result is work that feels intentional, memorable, and complete.

MEET YOUR TEACHER

John Peltier

I've been teaching in-person photography lessons since 2017, primarily to beginners using various camera models. Everyone has the same struggles, and I'm sure you do too. I've brought a proven method of addressing those struggles to these online courses.

Aside from teaching, my photography passion is storytelling. I've completed photodocumentary projects worldwide over the past 15 years, in locations such as Haiti, Guatemala, and Uganda, and have been featured in publications including New York Magazine, the Los Angeles Times, and the U.S. National Park Service.